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In this class, we looked at using back crosses in vale and tango.
In this class, we look at moving in and out of cross system by having the followers switch weight.
In this class, we look at playing with forward and back crosses in the rhythm of vals.
This is part 1 of a series in vals (waltz). In this class, we look at vals with a special emphasis on finding the 1 (the strong beat) and then using either the 2 or the 3 (the weak beats).
In this class, we focused on Alterations (or Changes of Direction) to both sides of the embrace. The primary focus was on musicality. The first part of the step is very floaty and smooth, then the changes of direction are very rhythmic and the final part is smooth again. The changes of direction use the quick-quick-slow rhythm.
This week's traditional tanda is a beautiful vals set by Miguel Calo with Alberto Podesta singing.
This week's traditional tanda is a spirited vals set by Pedro Laurenz.
This week's traditional tanda is a fun set of vals by Enrique Rodríguez and Angel Condercuri. This set is always a crowd pleaser. It is just incredibly happy and fun. I usually play 3 vals, so I play the first two and then pick between the last two depending on my mood.
This weeks tanda is a spirited vals (waltz) set by Juan D'Arienzo. These are great examples of vals criollo (creole waltz). Vals criollo is an evolution of the European vals as influenced by the culture of the working class Argentinean and Uruguayan citizens, primarily a mixture of Spanish and African. Later this would evolve into what we now refer to simply as Tango Vals.