We started by discussing that a gancho is a hook and not a kick and that each gancho has several moments:
FIgure 1: From Forward Circular Boleo to the Open Side (.15 and .25 of Video)
In this figure, we lead a forward circular boleo to the open side of the embrace. While the follower is finishing the boleo, the leader steps behind the follower's right foot with his right leg. At the same time, he is making contact with his right upper thigh to her right upper thigh. He then leads her back around and she hooks around his right leg. This happens as he is changing weight to his right leg. He then shifts back to his left and straightens his right leg to resolve the gancho.
We also discussed that this gancho can be lead on or off axis. To lead this off axis (colgada) then the leader will extend his right arm during the gancho and twist.
Figure 2: From Forward Circular Boleo to the Close Side (.33 and .43 of Video)
This is essentially the same as above, but it is a bit more tight do to the embrace.
Figure 3: Rebound Gancho (1.08 of Video)
This is not so much a twisty gancho, but it came up during the class. The leader leads the follower to a forward step away from him while stepping behind her. He does this by extending his right arm and then brings her back straight into him. It is really a back inline boleo for her but since he is behind her it turns into a gancho.
FIgure 4: Reverse Gancho with Twist (2.44 of Video)
In this step, the leader leads the follower to a forward cross to the open side of the embrace. He stops her before she collects and steps behind her, makes thigh to thigh contact and then twists to get a gancho. I call this a reverse gancho since she is doing the gancho while moving forward rather than backwards.
Figure 5: Sacada to Twisty Gancho (2.20 and 2.31 of Video)
We did not get to this one during the class, but since we did it in the demo, I will comment on it. The leader leads the follower to a forward cross to the close side of the embrace. He performs a sacada, but instead of going to the leg she is leaving, he steps close to the leg she is going to (her new supporting leg). He then stops her in the middle of her side step as he does a big pivot on his right and steps behind her with his left.
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