Here is a collection of Rodolfo Biagi tandas. My favorite tandas are highlighted.
| Song | Orchestra | Cantor/Singer | Year | Type |
| 1930s Instrumentals Tanda Set |
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| Unión Cívica | Rodolfo Biagi | 1938 | Tango | |
| La Maleva | Rodolfo Biagi | 1939 | Tango | |
| Pura Clase | Rodolfo Biagi | 1939 | Tango | |
| El 13 / El Trece | Rodolfo Biagi | 1938 | Tango | |
| Andrés Falgás Tanda Set I | ||||
| La Maleva | Rodolfo Biagi | 1939 | Tango | |
| Son Cosas Del Bandoneon | Rodolfo Biagi | Andrés Falgás | 1939 | Tango |
| La Chacarera | Rodolfo Biagi | Andrés Falgás | 1940 | Tango |
| El Yaguarón | Rodolfo Biagi | 1940 | Tango | |
| Andrés Falgás Tanda Set II | ||||
| Deja el mundo como está | Rodolfo Biagi | Andrés Falgás | 1940 | Tango |
| Cicatrices | Rodolfo Biagi | Andrés Falgás | 1940 | Tango |
| Griseta | Rodolfo Biagi | Andrés Falgás | 1939 | Tango |
| A Mi No Me Interesa | Rodolfo Biagi | Andrés Falgás | 1940 | Tango |
| Teófilo Ibáñez Tanda Set | ||||
| Una Pena | Rodolfo Biagi | Teófilo Ibáñez | 1938 | Tango |
| Golgota | Rodolfo Biagi | Teófilo Ibáñez | 1938 | Tango |
| La Novena | Rodolfo Biagi | Teófilo Ibáñez | 1939 | Tango |
| Alma de Bohemio | Rodolfo Biagi | Teófilo Ibáñez | 1939 | Tango |
| Jorge Ortiz Tandas | ||||
| Todo Te Nombra | Rodolfo Biagi | Jorge Ortiz | 1940 | Tango |
| Quiero Verte Una Vez Más | Rodolfo Biagi | Jorge Ortiz | 1940 | Tango |
| No Le Digas Que La Quiero | Rodolfo Biagi | Jorge Ortiz | 1940 | Tango |
| Pa´ jaro Ciego | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Todo Te Nombra | Rodolfo Biagi | Jorge Ortiz | 1940 | Tango |
| Carillón de la Merced | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Ahora No Me Conoces | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Indiferencia | Rodolfo Biagi | Jorge Ortiz | 1942 | Tango |
| Humillacion | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Senor, Senor | Rodolfo Biagi | Jorge Ortiz | 1943 | Tango |
| Pa´ jaro Ciego | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Ahora No Me Conoces | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Carillón de la Merced | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Romántico Bulincito | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| La Marcha Nupcial | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Zaraza | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Indiferencia | Rodolfo Biagi | Jorge Ortiz | 1942 | Tango |
| Humillacion | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Será Lo Mejor | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| Ahora No Me Conocés | Rodolfo Biagi | Jorge Ortiz | 1941 | Tango |
| 1950s Instrumentals Tanda Set | ||||
| A La Gran Muneca | Rodolfo Biagi | 1950 | Tango | |
| Racing Club | Rodolfo Biagi | 1950 | Tango | |
| El Recodo | Rodolfo Biagi | 1952 | Tango | |
| El Internado | Rodolfo Biagi | 1953 | Tango | |
| Organito De La Tarde | Rodolfo Biagi | 1956 | Tango | |
| Mixed Tanda Set I | ||||
| Barrio Reo | Rodolfo Biagi | Carlos Acuna | 1943 | Tango |
| Señor, Señor | Rodolfo Biagi | Jorge Ortiz | 1943 | Tango |
| Mientras Duerme La Ciudad | Rodolfo Biagi | Carlos Saavedra | 1946 | Tango |
| La Huella | Rodolfo Biagi | 1946 | Tango | |
| Mixed Tanda Set II | ||||
| Sentimiento Gaucho | Rodolfo Biagi | 1942 | Tango | |
| Arrebato | Rodolfo Biagi | Alberto Lago | 1942 | Tango |
| Belgica | Rodolfo Biagi | 1942 | Tango | |
| Guapo Y Varon | Rodolfo Biagi | Jorge Ortiz | 1939 | Tango |
| Alberto Amor Tanda Set I: Romantic | ||||
| Tus labios me dirán | Rodolfo Biagi | Alberto Amor | 1945 | Tango |
| Pudo Ser Una Vida | Rodolfo Biagi | Alberto Amor | 1946 | Tango |
| Seamos Amigos | Rodolfo Biagi | Alberto Amor | 1944 | Tango |
| Lucienne | Rodolfo Biagi | Alberto Amor | 1946 | Tango |
| Hoy Te Quiero Mucho Mas | Rodolfo Biagi | Alberto Amor | 1945 | Tango |
| Alberto Amor Tanda Set II: Driving Beat |
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| Si La Llegaran A Ver | Rodolfo Biagi | Alberto Amor | 1943 | Tango |
| Cuando llora La Milonga | Rodolfo Biagi | Alberto Amor | 1946 | Tango |
| Cuatro Lagrimas | Rodolfo Biagi | Alberto Amor | 1946 | Tango |
| Cafe´ de los angelitos | Rodolfo Biagi | Alberto Amor | 1945 | Tango |
| Carlos Acuna Tanda Set | ||||
| Barrio Reo | Rodolfo Biagi | Carlos Acuna | 1943 | Tango |
| Uno | Rodolfo Biagi | Carlos Acuna | 1944 | Tango |
| A Suerte Y Verdad | Rodolfo Biagi | Carlos Acuna | 1944 | Tango |
| Sosiego En La Noche | Rodolfo Biagi | Carlos Acuna | 1944 | Tango |
| Alberto Lago Tanda Set | ||||
| Arrebato | Rodolfo Biagi | Alberto Lago | 1942 | Tango |
| Metido | Rodolfo Biagi | Alberto Lago | 1942 | Tango |
| Te Odio | Rodolfo Biagi | Alberto Lago | 1942 | Tango |
| No Puede Ser | Rodolfo Biagi | Alberto Lago | 1941 | Tango |
| Hugo Duval Tanda Set | ||||
| Estás LLorando | Rodolfo Biagi | Hugo Duval | 1953 | Tango |
| Mi Pecadora | Rodolfo Biagi | Hugo Duval | 1953 | Tango |
| Triste Comedia | Rodolfo Biagi | Hugo Duval | 1955 | Tango |
| Alguien | Rodolfo Biagi | Hugo Duval | 1956 | Tango |
There are many differences between beginner, intermediate and advanced dancers, but one is musicality.
Beginner's step on the beat and maybe throw in some double times here and there.
Intermediate dancers change their rhythm, cadence, tiempo, energy, etc tanda to tanda depending on the orchestra being played. For example, you would not dance the same way to D'Arienzo that you would dance to Fresedo or Di Sarli. Very few dancers get to this level. I see so many people dancing exactly the same regardless of which orchestra is playing.
Advanced dancers change their rhythm, cadence, tiempo, energy, etc within the same song. There are clear shifts in most Tango songs and to be able to hear them coming and adapt your dance to them is what makes a dancer great to me.
Watch this video of Chicho and watch where he changes in energy... 22sec with the violins he goes from very energetic to much more calm and his steps get smaller and more controlled. You might even see some changes before this, but a big change again at 1.16 his energy really picks up again and he starts doing bigger and bolder moves. Around 1.57 he shifts again. Last major shift at 2.08.
BTW... To me there are two Pure Genius moments in this dance as far as musicality are concerned: The short runs at 1.10 and the foot stomps at 1.43.


