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The main focus of this class is the idea of having the follower change weight in order to enter into cross system rather than the leader. Then we added a short figure including a cruzada (cross), with a parada (stop) mordida (bite).
This class examined both circular and linear boleos.
This video covers two classes worth of material. The first was on finding the middle part of each step and being able to shift her weight back and forth between her legs without resolving the step, until we are ready. In the second class, we look at forward & back sacadas for the leaders and forward sacadas for the followers.
In this class, we explore creative ideas for using the cruzada in milonga.
This step is a very famous and popular move in the milongas of Buenos Aires, Argentina. Many, if not all, of the older milongueros perform this step. The joy of this move is in the musicality and the swoosh feeling it gives the followers during the dips (changes of our vertical plane). Everytime I teach this move, it always recieves lots of positive feedback from the followers. They love it.
The Structure of Tango
Part I: Cross Steps and Open Steps
Click Here to Download PDF of Full Class Notes
Introduction: At the end of this class, you will find that no matter which foot you are on or what system (Parallel or Cross) you are in tha
This class focuses on a Turn to the Open Side of the Embrace starting from Cross System on the Close Side of the Embrace. As embellishments, we looked at a forward circular boleo for the woman and back cruzadas for the man when getting into and out of cross system.